philippa de menil

Small wonder that in Houston, a city where, as a local gadfly once observed, ''it's easier to be rich than interesting,'' the de Menils are something of a legend. ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. Someone recommended a Surrealist painter named Max Ernst to decorate a wall of their apartment; disliking his proposal, the newlyweds commissioned from him instead a portrait of Dominique. And then, you can move in and we can move out.' de? The de Menils' involvement with blacks has not only been on the political level. An informal art historian and teacher, Dominique has also organized some remarkable exhibitions, innovatively installed. In fact, all five de Menil children - Christophe, Adelaide, Georges, Francois and Philippa - have inherited their parents' interest in art and architecture. Raised in a code of stern Protestant morality, Dominique is quite prepared to give a million to a worthy cause, but not to spend money on such frivolities as taxis, according to Edmund (Ted) Carpenter. Fariha, born Philippa de Menil, . Eventually - despite their contributions of time and art - their ambitious projects brought them into conflict with budget-minded trustees. 1974 by art dealer Heiner Friedrich and his wife, art patron Philippa de Menil. Yet these holdings, together with those of the nearby Museum of Fine Arts and the Contemporary Arts Museum, should boost Houston's cultural status to that of a world-class center for the visual arts. It will house the more than 10,000 objects acquired by the couple. German gallery owner Heiner Friedrich, Fariha Friedrich (ne de Menil) and Helen Winkler Fosdick founded Dia. Staff Interface | ArchivesSpace.org | Hosted by LYRASIS, Art and soul of GZ [ground zero] imams holy-pal heiress, 2010-09-27. Unlike the normal superwealthy, their pursuits do not run to clubs, yachts or horseracing. [26] It was established as an autonomous organization the next year and began hosting colloquia, beginning with "Traditional Modes of Contemplation and Action," which brought together religious leaders, scholars, and musicians from four continents. And she goes on collecting - though at a much slower pace, she says, because prices have risen so high. When the de Menils acquired the sculpture in 1968, the year the Rev. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. ''She feels a museum is all about interior spaces. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport Additionally, they have a manicured beachfront estate on Fishers Island, off Connecticut, and a house in Paris. Then you can see how a Communist lives.'' THE DE MENILS' civil-rights activities earned them epithets ranging from '''radical chic'' to ''Communist.'' And Adelaide herself now has a home or two not like everyone else's, in which the art is at least as ''weird'' as that owned by her parents. Ironically, planned in a time of boom for Houston, the museum will be finished in a time of bust, due to falling oil prices. Modern Reliquary: In a New Houston Museum, Francois de Menil Crafts an Authentic Setting for Two Byzantine Frescoes., Last edited on 16 December 2022, at 21:42, Houston-based oilfield services corporation. Philippa and her husband Heiner have made over a former apartment building into a townhouse. Though the collection has strengths in Mediterranean antiquities, Eurasian and European artifacts, African art, Cubism, Surrealism and contemporary American and European works, it lacks a museum ''profile.'' Photo by Michael Schmelling The two met at a ball in Versailles, and were married in 1931, when Dominique was 22 and John was 27 and working in a Paris bank. A painter himself, he had been a prime mover in the commissioning of Leger, Matisse and Rouault to do work for churches in France. At the age of 29, she met her mentor and guide on the path of Sufism upon his first visit to the Americas, Sheikh Muzaffer zak k al-Jerrahi of Istanbul. TimesMachine is an exclusive benefit for home delivery and digital subscribers. ''I get that so much from my mother - decide what you're aiming at and strike out after it. ''Before that it was the old Bourbon alliance, blue-collar whites and white-collar businessmen. ''Things just happen to me.'' Dia was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. stephen scherr family; nigel jones philadelphia. They actually maintained their support here for six or seven years before it began to happen.'' Date of birth 1947 Birth place Houston, USA Philippa De Menil Siblings Philippa De Menil Age 71 (approx.) Playing savior to old buildings in the area, she and Ted Carpenter have rescued 15 of them and restored most, with the aid of the Houston architect, Howard Barnstone, a longtime family friend. Before, I did things for others, and now I'm doing something for myself. Philippa was then married to Francesco Pellizzi, an Italian anthropology student, and already exploring with him the concept of helping artists realize large-scale environmental works. The theoretical thrust of ''The Image of the Black'' reflects Dominique more than John, whose interests were apt to find more direct expression. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. But we are definitely a collection of people very much influenced by John and Dominique. [21] Other filmmakers who visited the Media Center included Ola Balogun, Bernardo Bertolucci, James Blue, Jim McBride, and Colin Young. key biscayne triathlon 2022 Expanding. Hopps, a well known presence in the field of contemporary art, comes from California and made a reputation early on as director of the esteemed Pasadena Museum of Art. ALTHOUGH DOMI-nique's children function in somewhat lower gear, they also have made ambitious forays into - and even careers in - the arts. 2003), the world's largest contemporary art museum, located in Beacon, N.Y. A converted factory, it contains unusually large unbroken spaces, ideal for exhibiting the frequently monumental and often minimalist (see minimalism) art and large-scale installations Dia favors. ''When they didn't control things, they stepped aside,'' says Philippe de Montebello, now director of the Metropolitan Museum of Art, who took the job in Houston after Sweeney. Perhaps the closest of the children to her late father, who was an outspoken liberal drawn to minority causes, Adelaide has developed an interest in the lives of the ''bonackers,'' the vanishing tribe of fishermen and their families native to the eastern tip of Long Island. John shot from the hip. At that point, the de Menils began to drift away from the museum. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. ''We didn't really buy art, because we didn't have the money and we didn't think of it,'' says Dominique, whose scientist father considered spending money on art frivolous. I could have worked with Dominique.''. Under a five-year plan negotiated with Rice, the de Menils took with them the art library and many of the staff members they had recruited for St. Thomas. Sheikh Muzaffer Ozak's most prominent disciples and successors in North America were Tosun Bayrak, Lex Hixon, and Philippa de Menil. [5] (Box, page 38.) In a stronghold of segregation, they not only backed civil rights and Martin Luther King, but entertained blacks at dinner. . Though John was born to a titled military family, he grew up poor, thanks to the efforts of his father to pay off a relative's debt. The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. [1] They commissioned Henri Cartier-Bresson to photograph the 1957 American Federation of Arts convention, held in Houston that year, and worked with photographers such as Frederick Baldwin and Wendy Watriss, who went on to establish FotoFest, and Geoff Winningham, who served as head of the photography department at Rice Media Center. THE NEW BUILDING will be close to another, even more un-Houstonian de Menil monument. ''At Marseilles, Mother wrapped us in our loden coats to conceal our spots, so the authorities wouldn't detain us.'' Back came a cable: ''BUY WHOLE SHOW.'' While fostering bonds with the greater Sufi & Muslim American communities, the role of women in Islam and spiritual ecology have been of special importance to her message. With Francois and Georges, she is also making a film about her father, who carried on his venturesome art and community activities while functioning as a key executive in the development of Schlumberger Ltd. ''She is painfully shy, but generous and thoughtful,'' a friend says. John and Dominique de Menil also shared an interest in photography, inviting photographers to come to Houston to document events in the city and exhibit their work. What they do should be balanced against what's possible.''. '', AT 78, DOMINIQUE IS A HANDSOME WOMAN OF frail, unassuming presence, whose ''spiritual'' mien and austere garb evoke the image of a medieval saint. [2], De Menil was born Dominique Isaline Zelia Henriette Clarisse Schlumberger, the daughter of Conrad Schlumberger and Louise Schlumberger (ne Delpech), Calvinist Alsatians. De Menil's largesse had created a kind of refuge from the speculative market in art then taking shape in New York, and a new canon of monumental, spiritually charged epics: a SoHo gallery floor buried, permanently, wi th black ear th; a hollowed-out volcano, transformed into a science-fictional archaeo-astronomical laboratory for perceptual flight; a Promethean bed of nails poking dangerously into the desert sky, awaiting some gargantuan penitent. The German art dealer Heiner Friedrich; his wife, Philippa de Menil (daughter of the noted philanthropist Dominique de Menil); and art historian Helen Winkler founded Dia Art Foundation in 1974. Both pupils received new Sufi names. (One takes off one's shoes on entering.) Explains William Camfield, whom the de Menils brought over as professor of art history from St. Thomas, ''At Rice, the de Menils said, 'Let's see if it works and if you like it. They have sold off a good deal of it over the years, and diversified their holdings. The Menil Foundation is contributing not only the art but about $8 million. Eventually, the de Menils and their entourage became so much a part of the St. Thomas scene that ''it became difficult to operate without stepping on one of their toes,'' says Father Patrick O. Braden, president of the college at the time. Ibish, Yusuf, and Peter Lamborn Wilson, eds. Dominique emphasizes that it's a very ''personal'' assemblage, ''idiosyncratic,'' with major gaps. Over the course of nearly 20 years, beginning in the late 1940's, they set up a full-fledged art and art history department, hiring -and paying for - teachers, researchers and what one of the former de-scribes as ''others with whom they have loose and flexible arrangements.'' The gray clapboard of the museum is in keeping with the small, traditional timber-frame homes -some used as foundation offices, others rented to friends, associates and various locals - that surround it. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. Naturally, the artists involved - two of whom, Robert Whitman and La Monte Young, lost elaborate performance and living quarters - were hugely disappointed. The de Menils' Catholic faith, especially their interest in Father Yves Marie Joseph Congar's teachings on ecumenism, would become crucial to the development of their collecting ethos in the coming decades. De Menil died in Houston on December 31, 1997. ''John's feeling for the underdog really started in his childhood,'' says Dominique. Actually, her children venerate Dominique almost to the point of copying her.'' [3] She studied physics and mathematics at the Sorbonne and developed an interest in filmmaking, which took her to Berlin to serve as script assistant on the Josef von Sternberg production of The Blue Angel. Heiner Friedrich is an art dealer and collector of minimal art and conceptual art. Her second husband is is a German-born former art dealer, Heiner Friedrich, with whom she is deeply engaged in Sufism. [1], She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. A good part of the Menil Collection comprises objects of African and other tribal art, and the foundation began, in 1961, a long-range research project, ''The Image of the Black in Western Art.'' De Maria has a long history with Dia, having been one of the first artists in its collectionwhich was begun by Philippa de Menil, Heiner Friedrich, and Helen Winkler in 1974and a pivotal player in the institution's history. THE COUPLE'S MOST INTENSE Houston involvement was with St. Thomas University, a small Catholic college. Though the building is not loved by some of Dominique's children, it is hoped that eventually the varied holdings of all of them will repose there, too. Married to Susan Silver, a Barnard graduate (their son was born in January), he collects contemporary art, furniture, craft objects of the turn-of-the-century Vienna Secessionist school and rare books on art and architecture. "The de Menil Family: The Medici of Modern Art". [22], Their most controversial action on behalf of civil rights was their offer of Barnett Newman's Broken Obelisk as a partial gift to the city of Houston in 1969, on the condition that it be dedicated to the recently assassinated Martin Luther King Jr.[23] The city refused the gift, sparking a controversial debate[24] that ended only when the de Menils purchased the sculpture themselves and placed it in front of the newly completed Rothko Chapel. Leland, a civil-rights and antiwar activist who was studying to be a pharmacist at Texas Southern University, had dropped out to run the campaign of a black minister, D. Leon Everett, who sought a seat on the then-all-white board. Description Art and Activism surveys John and Dominique de Menil's projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. The day and hour were set, with Dominique's agreement. GROWING UP IN HOUSTON, ADELAIDE DE MENIL was embarrassed to bring her friends to the art-filled home of her parents, Dominique and John de Menil. Seven years later, John joined Schlumberger Ltd. Their backgrounds were very different. And I loathed the black-tiled floor. Essays and short texts describe the de Menils' collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles . T HE SECOND-GENERATION de Menils all have established their own lives and embarked on their own projects - though none, perhaps, with the drive and range of their parents' activities. [2][3][4][5] Sheikh Muzaffer also gave direct transmission to fellow American dervish Sheikh Nur al-Anwar al-Jerrahi, who envisioned a radical and illumined path of the heart which he called Universal Islam. Joining the bravely vanguard Contemporary Arts Association, they made their presence felt, producing a major Van Gogh show and staging exhibitions of work by Max Ernst, Joan Miro and Alexander Calder. Ingersoll, Richard. Congressman Mickey Leland, it was one of the first racially integrated art shows in the United States.[28]. One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. Until very recently, Christophe also had a sizable house in East Hampton, but it burned down during Hurricane Gloria last fall. The platform roof comprises precision-made structural elements of ferrocement and steel, engineered so as to reflect changing light conditions with great sensitivity. But the falling price of Schlumberger stock and serious administrative problems brought big financial troubles. to find the word you're looking for. "[15] In 1954 they founded the Menil Foundation, a non-profit organization dedicated to the "support and advancement of religious, charitable, literary, scientific and educational purposes".[16]. ''If it hadn't been for them, we wouldn't be here,'' says Father Frank H. Bredeweg, now president of the college. A local citizen once called John up and railed against him as a ''red'' for his support of King. She said. Dia Art Foundation, American foundation that supports contemporary art and artists, est. she subsidized a lobbying effort on their behalf. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. (A question mark next to a word above means that we couldn't find it, but clicking the word might provide spelling suggestions.) An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of Harvard University. The conflict, as is the case with most de Menil disagreements, actually reveals the strength of the family's ties, according to Ted Carpenter: ''It's like an Italian family arguing over the pasta. In fact, its long, low bulk looks more like, say, the suburban branch of an elegant department store. She has organized a forthcoming book ''Men's Lives'' - with specially commissioned photographs, and a text by Peter Matthiessen -about them. [25], The de Menils had originally made plans to build the Rothko Chapel in 1964 when Dominique de Menil commissioned a suite of meditative paintings by Mark Rothko for an ecumenical chapel intended for the University of St. Thomas as a space of dialogue and reflection between faiths. Helped by Citizens for Good Schools, a progressive organization supported by de Menil money, Everett won his seat, along with the other three candidates supported by the citizens group. It serves the vi-sion of a place ''for people in search of peace, meditation and a more intense consciousness of our time.'' Apr 18, 2018 1:37PM. [18] The de Menils supported Rice University astrophysics professor Donald D. Clayton for a two-week residence in Rome in JuneJuly 1970 for daily work with Rossellini,[19][20] conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. They have been adventurous patrons, perhaps less concerned than many with the kudos and the cash that go with art patronage in American society. Schlumberger Ltd. - tHE Source of the de Menil family's fortune - was established in 1934 by Conrad Schlumberger, Dominique de Menil's father, and Marcel Schlumberger, her uncle. Friedrich has exhibited works by Blinky Palermo, Walter De Maria, Donald Judd, La Monte Young, Andy Warhol, Michael Heizer, and Joseph Beuys, among others in his galleries in Germany, but became less interested in short term gallery installations and through Dia began to collect, and support majo He remembers admiring a photograph by Henri Cartier-Bresson at Adelaide's house. So hooked were they that, ''We went crazy,'' says Dominique. Born 1947 Start a FameChain Trivia Philippa De Menil Family View Philippa De Menil's Family Tree and History, Ancestry and Genealogy The Fathers, too, can now see both sides. '', ''I wanted a functional museum and they wanted great architecture,'' comments Dominique. You can't just expand and expand. Heiner has helped me step out into life.''. BUT, AS DOMINIQUE likes to point out, she and John didn't start out rich. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. It is named for the late Abstract Expressionist painter Mark Rothko, whom the de Menils commissioned to do 14 dark, meditative paintings that are the only adornment of the octagonal building. ''Dominque said, 'I'll take it,' and she bundled herself in a tacky fur coat and went trudging through the rain, arriving at Levi-Strauss's looking like a drowned rat. Of the siblings, she has also undertaken the most wildly ambitious involvement with the arts, as patron of the financially troubled Dia Foundation, whose aim is to support venturesome artists' projects of a nature or scale that make it difficult to obtain other backing. Expansive main-floor displays will be made up of works in the storage areas, with space set aside for the spectacular theme shows that Dominique and the museum's director, Walter Hopps, have been doing together for years. Their associates tend not to be other superrichlings, but artists, film makers, poets, anthropologists, activists, professors, priests and - in the case of Philippa, who is involved with Sufism, an Islamic philosophy - sheiks and whirling dervishes. They were compelling.'' [33], The nearby Cy Twombly Gallery, opened in 1995, houses more than thirty of Twombly's paintings, sculptures, and works on paper. For the marriage, Dominique converted to John's Catholicism, a move that at first shocked her clannish family. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. [1] She was awarded the National Medal of Arts in 1986. The de Menil museum in Houston, with its big main-floor display space and a second floor for open storage of art objects, embodies her vision of a museum as a place of ''beauty and enchantment, even before it's a teaching institution, a place where things can be seen on multiple levels, with a relationship made between the objects and the way they are presented.'' Most of the land and houses within a six-block radius, quietly assembled by John, are under de Menil ownership. With blacks has not only the art but about $ 8 million not only backed civil rights and Martin King... The museum elements of ferrocement and steel, engineered so as to reflect changing light conditions with great.! 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